AGFA was the abbreviation for Aktien-Gesellschaft für Anilin-Fabrikation, given in 1873 to a company that had been founded in Berlin in 1867. It produced chemicals for photography. Most famous is the film developer Rodinal, introduced in 1892 and continued for 115 years. When Agfa obtained the Rietzschel camera works in Munich from Bayer in 1925, it badged all Rietzschel products with its Agfa rhombus. In 1926 it introduced the first real Agfa camera, the Standard. In 1927 the name Rietzschel disappeared from the products. In that year the successful Billy camera series was introduced, and Agfa licensed Ansco to manufacture its products for the American market.
In 1930 the first Agfa Box camera for 6×9 cm exposures on roll film was produced. In the following year it popularized photography in Germany by dumping the Box 44 for 4 Reichsmark, easily recouping its losses afterwards by selling Agfa 120 roll films. In 1937 it brought out its first camera for 35mm film.
After WWII Agfa improved its prewar models and introduced the new 35mm Solinette. In 1954 it modernized its camera design with the Silette series; 1956 saw the introduction of the medium format Automatic 66. In 1959 a 35mm viewfinder camera with autoexposure button followed, theOptima . In 1964 Agfa introduced the Rapid system as an answer to Kodak's 126 film. The company debuted cameras accepting 126 film in 1967.
In 1968 Agfa introduced its red sensor point, a round membrane made of red foil and framed with a metal ring. Depending on the camera type, either a mechanical or an electromechanical shutter release button was hidden under the flexible membrane. Since then this touchpad-like shutter button was used on most of the company's models and became a familiar feature.
In Germany Agfa had a huge success with its popular "Ritsch-Ratsch" pocket cameras, which accepted 110 cartridge film. A whole series of these Agfamatic cameras was launched twice, the first series using magicubes and the second, flipflash. Of course these cameras had the red sensor point as shutter release button.
In the early 1980s Agfa produced its last film cameras. The new models of the Selectronic series were manufactured by Chinon. Agfa gave up camera production in 1983. All later Agfa film cameras were OEM products.
In 1930 the first Agfa Box camera for 6×9 cm exposures on roll film was produced. In the following year it popularized photography in Germany by dumping the Box 44 for 4 Reichsmark, easily recouping its losses afterwards by selling Agfa 120 roll films. In 1937 it brought out its first camera for 35mm film.
After WWII Agfa improved its prewar models and introduced the new 35mm Solinette. In 1954 it modernized its camera design with the Silette series; 1956 saw the introduction of the medium format Automatic 66. In 1959 a 35mm viewfinder camera with autoexposure button followed, the
In 1968 Agfa introduced its red sensor point, a round membrane made of red foil and framed with a metal ring. Depending on the camera type, either a mechanical or an electromechanical shutter release button was hidden under the flexible membrane. Since then this touchpad-like shutter button was used on most of the company's models and became a familiar feature.
In Germany Agfa had a huge success with its popular "Ritsch-Ratsch" pocket cameras, which accepted 110 cartridge film. A whole series of these Agfamatic cameras was launched twice, the first series using magicubes and the second, flipflash. Of course these cameras had the red sensor point as shutter release button.
In the early 1980s Agfa produced its last film cameras. The new models of the Selectronic series were manufactured by Chinon. Agfa gave up camera production in 1983. All later Agfa film cameras were OEM products.
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